5 November 2021


India Nielsen "guardie e ladri (cops and robbers)" - 2021 - photo © Damian Griffiths

In her paintings, London-based artist India Nielsen interweaves subjective experience with elements of the 1990s and 2000s pop culture. As a teenager, she identified with MTV (Music Television) stars, such as Britney Spears, Madonna and Eminem. At the same time, the visual, ritualistic world of her Catholic upbringing were formative: the saints with their supernatural abilities, seemed to her to reflect aspects of the human psyche split in pieces, the iconography of the Sacred Heart and the Weeping Virgin Mary and the spiritual dimension of Catholicism. India Nielsen sees her paintings as vessels in which her inner life, her memories, feelings and projections can be inscribed and unfold. She studied at the Slade School of Fine Art from 2012 to 2016 and graduated with an MA in Painting from the Royal College of Art in 2018. On the occasion of her London solo presentation “M is for Madonna, M is for Mariah, M is for Mother” at Darren Flook (which also marks the inauguration of his new gallery space, a former psychotherapist’s office on 106 Great Portland St.), we discuss the effects the COVID-19 pandemic had on Nielsen’s practice, her enduring love for pre-eminent pop divas, her fascination with the saints of the Roman Catholic Church and the distinct dichotomies that pervade the artist’s painting practice.

1 August 2021


Ulrik Møller in his Berlin studio, 2021, photo by Anna-Lena Werner

In a typical industrial Berlin backyard, close to the little river Panke in the busy district of Wedding, the Danish artist Ulrik Møller found a bright space to create landscape paintings of his Danish home in Fyn and many other rural places. This opposition, between what he paints and where he produces the work, is inherently embedded in each single work as a longing for what is not around. Referencing and employing traditional techniques of painting, his art is always a manifestation of the endless travel between home and distance, between the comfortable and the exploration of the unknown. While visiting him in his studio, we talked about honest art, romanticism and Ulrik's current exhibition "Happy Together" at Faaborg Museum in Denmark.

15 July 2021


Mariana Hahn, photo © Philippe Chancel

Through photography, video, installation and imprinting Mariana Hahn investigates the modes of image making, the processes of archiving and transmission. Mariana digs the memory of her body, of her own genealogy and she depicts the transfer of knowledge from one body to another, from a woman to another. But she also tracks the recurrences and survivals (Nachleben) of collective memories and traumas. "Eros and Thanatos Made a Child" is a multifaceted installation by Mariana Hahn presented by Display, Berlin, at the photography festival Les Rencontres d’Arles, from July 4 to August 29, 2021. In that framework, it was shortlisted for the Prix Découverte Louis Roederer curated this year by Sonia Voss.

15 March 2021


Alper Turan, Photo: Maurine Tric, Protocinema, Istanbul

Alper Turan is a curator from Istanbul currently based in Berlin. Despite the challenges caused by the pandemic, he curated the group exhibition, "A Finger for an Eye", commissioned & presented by Protocinema within Protocinema's Emerging Curator mentorship series, at Poşe in Istanbul (until the 23rd of March), focusing on queer positioning as a response to the ongoing attacks on queer representations, symbols from the Turkish government. We talked about how Alper's curatorial practice has developed throughout the years and what it was like to curate a physical exhibition that needs and calls physical interactions during a pandemic. 

10 December 2020


Basim Magdy "Renegade Dreams Hanging from the Clouds" at König Galerie, Berlin. Photos © Roman Maerz, Courtesy the artist and König Galerie, Berlin

"What if the sky is giant mirror reflecting our fantasies?" the movie "New Acid" by Egyptian artist Basim Magdy asks. Hosting his exhibition "Renegade Dreams Hanging From The Clouds" at König Galerie Berlin currently presents the artist's film work together with eight of his paintings. In our e-mail interview, I chatted with the Switzerland-based artist about what it was like to organise an exhibition during a global pandemic and lockdown restrictions, as well as the various sources of his inspiration for the works in the show and his practice in general. 

23 October 2020


Neha Kudchadkar "Handjob",  2018, Image © Stashia D'souza for Mumbai Art Room

Neha Kudchadkar works at the intersection between ceramics, installation and photography. While in the making she often uses her own body as a tool, she also implies it as a site of investigation with materiality, spatiality, identity and otherness. Neha Kudchadkar’s ceramic work Handjob will be featured in the exhibition “Love Letters: Stories of Distant Proximities” at Horse and Pony, Berlin, from the 24th of October until the 22nd of November, 2020. The curators of the show, Lea Schleiffenbaum and Marie DuPasquier took the opportunity to discuss with the artist on her work presented in the show, her process, and her thoughts on intimacy, touching and caring in times of social distancing. 

4 October 2020



© Melanie and Stephanie Hausberger

Art is always a joint endeavour for Melanie and Stephanie Hausberger. Since their studies at the New York School of Visual Arts, the Austrian-born identical twin sisters have been creating all their works – especially drawings and paintings – together. Their visual language reveals the influence of art from the era of classical modernism – Pablo Picasso, Ernst Ludwig Kirchner, and above all, Egon Schiele shine through. Although their works are figurative and representational, they display a high degree of abstraction. After finishing their studies, Melanie and Stephanie Hausberger travelled a lot, but they have also set up a small studio in the Tyrolean Alps.      

14 April 2020


Inscriptions of an Immense Theatre_Still from single channel film, colour, sound, 2018.
Ailbhe Ní Bhriain “Inscriptions of an Immense Theatre “, Film Still, 2018 © the artist

Ailbhe Ní Bhriain is presenting “Inscriptions IV”, her fourth solo exhibition at Domobaal Gallery in London, including her photographic, tapestry and sculptural works. In our interview she spoke about her collaboration with an algorithm and her recent video works selected for the Artists’ Film Festival.