27 July 2017


Ola Vasiljeva, Gold Is the Metal With the Broadest Shoulders at Supportico Lopez, Berlin, 2017 , Photo_Linda Fuchs_1 Ola Vasiljeva, "Gold Is the Metal With the Broadest Shoulders" at Supportico Lopez, Berlin, 2017 
Photo © Linda Fuchs; © Ola Vasiljeva

Entering Ola Vasiljeva’s current exhibition “Gold Is the Metal With the Broadest Shoulders“ at Supportico Lopez in Berlin, one finds himself surrounded by drawings and sculptures in the term’s widest sense. Bearing titles like Ivan the Son of Bear, Memmie le Blanc at home in Paris, Big Prince and The Feral Thief, they form a community of social outcasts and mythical characters inhabiting a place somewhere between fact and fiction, history and illusion, dream and reality. The semi-imaginary, the tension between fiction and use, is central to the The Hague-based artist’s suggestive installations, in which metal sculptures seem to transfer the drawings into the three-dimensional and mirrored surfaces transform the exhibition space into a dream-like vision. In our conversation, Ola Vasiljeva talked about the site-specificity of her installations, her interest in the unintentional qualities of backstage areas and about how the idea of unlearning inflected her past projects.

21 July 2017


© Lindsay Lawson_featured on artfridge.de
“Half-Truths” © Lindsay Lawson

In 2016, American-born artist Lindsay Lawson hosted a symposium on objectum sexuality – a sexual preference in which a person has romantic and intimate relationships with objects. The event was part of her performance “Choreography for Crane”, presented at the site of the Humboldt Forum at the 9th Berlin Biennale. Objects play a central role in Lawson’s artistic practice, which also comprises video, animation, sculpture, photography, print and text. Often her objects appear in virtual settings. At the Thun Ceramic Residency in Bolzano she is currently working on her first clay sculptures.