21 November 2017


Bodybuildings "Bodybuildings" (2015) © Jessica Pooch

There is something utterly repelling about having to touch a lost and found hair tie. Old unwashed hair, maybe even a smell, dirty fingers – an object that opposes hygiene on so many levels. The collection of found hair ties began in Berlin during an artist residency at Air Berlin Alexanderplatz – located in one of those grey and dull high-rise buildings – the place where I first met the Zurich-based, German artist Jessica Pooch. Her art touches human instincts: feelings of shame and disgust, of togetherness and intimacy versus publicity. The language of her work – sleek and disturbing at the same time – speaks a formal vocabulary often very close to the aesthetics of design, while it questions basic functions and values that objects and materials are supposed to fulfil or suggest. Public toilets, piercings, artificial fingernails, grab poles are materials that she functions as performative tools, subtly pointing at the viewers' own anticipation of what these materials might stand for and how they make them feel. In our interview Jessica told me what it is that interests her about the concept of intimacy and how she plays with it on many different levels in her art.

19 October 2017


goldsuppe01_photo_amy harris_1989 WERKSTADT Graz "Baur`s Goldsuppe", Photo: Amy Harris. from the catalogue "JEWELRY: MEANS: MEANING"

The city of Graz is rich on avant-garde history in contemporary art that emerged in the 1960s and experienced one of its peaks in the 1980s. A strong connection to Cologne and the group of the Neue Wilden, as well as to the Viennese performance artists carried out by galleries such as Galerie Bleich-Rossi and Artelier shaped the cultural scene. It was also the moment when international Jazz musicians were frequenting the city. The trigon biennial for contemporary art and architecture, as well as the avant-garde festival for performance and visual arts steirischer herbst had become milestones of pioneering artistic positions since their launch in the 1960s. One of the core players from that time and still active today is WERKSTADT Graz – a gallery and an interdisciplinary project space, often working in the field of relational aesthetics. I talked to Barbara Edlinger, co-founder, artist and goldsmith about the history and the vision of WERKSTADT and her approach towards today’s cultural production in the city. 

26 September 2017


"Not a Single Bone", 2017;  Courtesy Nora Al-Badri and Nikolai Nelles

Forming a relationship between artworks, originality of information production and activism in our current age of technology, while emphasizing and focusing on the importance of open source sharing through their works, artist Nora Al-Badri and Nikolai Nelles have created an open source website: By scanning the head of the Nefertiti Sculpture in Berlin’s Neues Museum in 2015 without prior permission, they allowed public access to 3D-print and copy the effigy. Having sent this data to Egypt for a possible creation of a near-exact replica, Al-Badri and Nelles’ critical project questions the way in which basic concepts like museum, artwork, originality, cultural history, ownership, and structure-production are utilised and taught in Western civilizations. Currently showing their first collaborative solo exhibition “Not a Single Bone” at NOME Gallery in Berlin, I chatted with the duo about their latest project. 

22 August 2017


Irene Campolmi, photo © Luca Cucinotta
Irene Campolmi, photo © Luca Cucinotta

Based in Copenhagen, the Italian curator and researcher Irene Campolmi creates networks: with conferences, talks and symposia, she connects international figures of the art world – artists, curators, researchers, art dealers, collectors – to gather and discuss relevant themes, bring people with different skills together and to articulate responses to current political, social and ecological changes. Having previously organised conferences at Louisiana Museum of Modern Art, the Max-Planck Institut / Kunsthistorisches Institut in Florence, and having curated several exhibitions, she currently curates the Talks, Film and Performance program Art ReActs at this year's CODE Art Fair in Copenhagen (31.08-03-09.2017). I spoke to Irene about the key themes she chose for the debates, the artistic participants she selected and about whether an art fair is the right place to hold an academic event.

10 August 2017


Exhibition opening of "Homecoming", July, 20170 TOZ exhibition opening "Homecoming", July 2017 

In Kadıköy, one of the most vibrant art districts of Istanbul, lies TOZ artist-run space. Established, in 2015, TOZ has been founded jointly by the artists Ece Eldek, Sinem Dişli, Volkan Kızıltunç and Elvan Ekren. Recently funded by SAHA, the self-declared goal of the non-profit project is to open the founders' studios to other artists and to collectives, in order to work and research together by creating a platform for exhibitions, seminars and workshops. I talked to the team of TOZ about their story, their future plans and the relevance of sustainability for new art spaces in Turkey. 

27 July 2017


Ola Vasiljeva, Gold Is the Metal With the Broadest Shoulders at Supportico Lopez, Berlin, 2017 , Photo_Linda Fuchs_1 Ola Vasiljeva, "Gold Is the Metal With the Broadest Shoulders" at Supportico Lopez, Berlin, 2017 
Photo © Linda Fuchs; © Ola Vasiljeva

Entering Ola Vasiljeva’s current exhibition “Gold Is the Metal With the Broadest Shoulders“ at Supportico Lopez in Berlin, one finds himself surrounded by drawings and sculptures in the term’s widest sense. Bearing titles like Ivan the Son of Bear, Memmie le Blanc at home in Paris, Big Prince and The Feral Thief, they form a community of social outcasts and mythical characters inhabiting a place somewhere between fact and fiction, history and illusion, dream and reality. The semi-imaginary, the tension between fiction and use, is central to the The Hague-based artist’s suggestive installations, in which metal sculptures seem to transfer the drawings into the three-dimensional and mirrored surfaces transform the exhibition space into a dream-like vision. In our conversation, Ola Vasiljeva talked about the site-specificity of her installations, her interest in the unintentional qualities of backstage areas and about how the idea of unlearning inflected her past projects.

21 July 2017


© Lindsay Lawson_featured on artfridge.de
“Half-Truths” © Lindsay Lawson

In 2016, American-born artist Lindsay Lawson hosted a symposium on objectum sexuality – a sexual preference in which a person has romantic and intimate relationships with objects. The event was part of her performance “Choreography for Crane”, presented at the site of the Humboldt Forum at the 9th Berlin Biennale. Objects play a central role in Lawson’s artistic practice, which also comprises video, animation, sculpture, photography, print and text. Often her objects appear in virtual settings. At the Thun Ceramic Residency in Bolzano she is currently working on her first clay sculptures.  

24 June 2017


Florian Graf_1 Florian Graf, Verputz oder Beton, Follow the Money, 2009
Single Page from Drawing Book 90, Courtesy the artist

In his sculptures, installations and works on paper, 1980-born Swiss artist Florian Graf explores the way we install ourselves in a changing and transient world. He creates architectural interventions (and solutions) as well as sculptural environments that allow interaction and dialogue. In this interview Florian Graf talks about his passion for drawing and the plan to show his large collection of Drawing Books.