All works by Markus Hoffmann / from the top: (1) "ENCOUNTER" (2014), (2+3) "MEMORY" (2014) / Courtesy and © Markus Hoffmann
Driven by a fascination for natural processes, Markus Hoffmann enables spectators to experience natural phenomena that are usually withdrawn from our perception through the experience of his art. The 1982-born installation artist concerns himself with a range of highly ambivalent materials – such as fungi, exhaust fume or radioactive artefacts –, negotiating not only their controversial position in today's society, but also the paradox of their appearance's significance in an aesthetic, as opposed to an ethical context. The materials are attributed with a calm and strange beauty, a peculiar sublimity, forcing the perception to reconsider anticipated and precast sentiments. Markus' works thus pose urgent questions to society's consciousness and to art's fictive and supposedly innocent framework, offering a space of intense experience. Equipped with a distinct aesthetic language and with a high political potential, it doesn't come as a surprise that although Markus just completed his studies in the class of Olafur Eliasson at UDK Berlin, both his own and cooperative works (created with the collective DAS NUMEN) are already represented in international museums and other art institutions. I met Markus in Berlin, where he lives and works, and talked to him about his choice of materials, about art and politics and about spectatorship.