Tonight, at Circleculture Gallery, Iceland-born painter Katrin Fridriks shows her newest works dealing with a 'Leak of information'. The exhibition asks questions about lacks or the inflationary use of communication - what is hidden? What is on display? She employs bright colours as well as metallic, technology based inspirations to broach issues of public awareness and modern (mediated) communication technology. Circleculture has been famous for turning street art into a gallery event and they have had a lot of success and positive feedbacks doing so. The opening takes place tonight up from 7pm. More information and a video below.
April 28, 2011
April 27, 2011
BERLIN: GALLERY WEEKEND PICK
By
Anna-Lena Werner
Olaf Nicolai Samani
Albert Oehlen Stars
Miriam Böhm Set 1
It was definitely not an easy task to pick my favorites from 44 openings, however, I chose a couple of galleries and artists that should promise exciting shows. Installation artist Olaf Nicolai, represented by EIGEN+ART, has two exhibitions. Albert- and his brother Markus Oehlen, both show new paintings in two different galleries. Arraita, Beer Gallery invited popular artists to design tattoos, which will be tattooed onto visitors and passengers if they wish (you can already make appointments). Installation artist and sculptor John Bock presents his new work at Klosterfelde and Miriam Böhm shows interesting new work at Gallery Wentrup.
Even though I didn't list Ai Weiwei's, or Chuck Close's shows - they are of course must-sees as well. A new art-center seems to emerge around Potsdamer Strasse, as well as the established locations around Kochstrasse and Lindenstrasse invite for countless openings. Finally, the location around Tucholskystrasse and Auguststrasse is always worth a visit - not only because of its art-offers, but also because of the charming bars and restaurants surrounding the galleries. If you are not invited to one of the dinner parties at Grill Royal or Borchardts, I can only recommend going to some bars nearby and getting drunk with the art crowd. ;)
Click on 'Read more', the headline or on one of the images to get to the list.
BERLIN: GALLERY WEEKEND - HELPFUL LINKS
By
Anna-Lena Werner

Last but not least, it makes sense to have a look at gallery weekends website. The map and program should help you to organize your openings, so that you can group a couple of visits at one location. There is an iphone app called 'The eye Out,' which you can download for free here. This kinky tool similarly helps you find your way through the countless number of events. After the weekend artnet will provide a selection of reviews, photos and impression.
April 26, 2011
BERLIN: WORTH SEEING EVENTS OUTSIDE GALLERY WEEKEND
By
Anna-Lena Werner
Up from Friday the 29th of April until the 1st of May Berlin is one big art bubble. Gallery Weekend, founded by ex-gallery owner Michael Neff, invites Berlin based galleries for the 7th time to participate this paradise for collectors and art lovers. Well, inviting is maybe not the right word. The 44 participating galleries pay 1000 Euros in order to be a part of the official program. However, obviously there are a couple of venues, which take advantage of the timing and similarly hold openings on Friday and Saturday. I listed four of these events below - including the hyped venue launch of Blain Southern with Tim Noble and Sue Webster; an early opening (on the 27th) at private collection Haubrok with Georg Herold, Lone Haugaard Madsen, Franz West and Heimo Zobering; an opening at Peres Project (Kreuzberg location) showing paintings of Pete Wheeler, and finally a barbeque at Autocenter art (for all of these who are not invited to fancy dinner parties). I will shortly post a list with some tour guidances for the gallery weekend.
April 25, 2011
LONDON: PAUL GRAHAM RETROSPECTIVE AT WHITECHAPEL
By
Anna-Lena Werner
Paul Graham's (* 1956, England) photography is sensitive. He observes. Takes pictures of what seems to be normal. Societies, urban life, waiting rooms. But once framed and exposed, the images and scenes are reminiscent of theatre sets. It almost seems staged yet it contains some kind of secrecy, as Graham states: ‘I realised that concealment… has run through… my work, from the landscape of Northern Ireland, and the unemployed tucked away in backstreet offices, to the burdens of history swept under the carpet in Europe or Japan. Concealment of our turmoil from others, from ourselves even’. Since the early 80s, Journeys and road trips throughout the world have provided him with documentary material: "Photographic series such as the A1, Troubled Land, New Europe or American Night British artist Paul Graham presents vivid portrayals of people and places. This comprehensive survey of over 25 years of work demonstrates his innovative approach to documentary, reinventing traditional genres of photography to create a unique visual language."
Whitechapel Gallery in London now exhibits this beautiful and thoughtful work, in fact 100 photographs are exposed.
April 21, 2011
LONDON: BRICK LANE IN THE 1920s
By
Anna-Lena Werner

Selling puppies in the nineteen twenties at Club Row market in London (Today Brick Lane market)

From Brick Lane, looking West down Sclater St.
Related Link: Spitalfields Life
April 20, 2011
NEVER FORGET: THE KILLING MACHINE
By
Anna-Lena Werner
Janet Cardiff and George Bures Miller, "The Killing machine," Installation (2007)
April 19, 2011
LONDON: "THE GLOBE SHRINKS" - BARBARA KRUGER OPENING AT SPRÜTH/MAGERS
By
Anna-Lena Werner
Tomorrow from 6-8pm Gallery Sprüth Magers hosts an opening for the upcoming solo-exhibition by Barbara Kruger called "The Globe Shrinks." Kruger's (*1945, USA) work changed quite a lot in 90s, when she expanded photography and text into video (-installations) and sound installations. Her work critically observes consumerism behaviour and psychological manipulation - she got quite popular with her dynamic combination of image and text. The work that will be represented up from tomorrow shows itself in a different shape, yet it still problematizes the kindness and brutality of the everyday life. I know, this sounds all a bit old fashioned and the press release doesn't make it better, but I am really fond of that work at the top of this post and her multi channel video installation "The Globe Shrinks" (2010) similarly promises to be an interesting piece. This show - just that you don't stand in front of closed doors - does NOT take place at Sprüth Magers main address at Grafton Street, but in a place at Francis Street (walking distance from Victoria station). Find detailed information and a map below.
April 18, 2011
BERLIN: COUTURE EGGS AT ACHTEINHALB WOCHEN STORE
By
Anna-Lena Werner



Are you bored of the traditional easter holiday? My friends from iheartberlin and achteinhalb organize a fantastic opening this thursday, the 21st of April at the beautiful achteinhalb wochen concept store. The whole idea is that 11 avant-garde fashion designers create each one egg - Couture Eggs, as they call them - that will be unique and somewhat related to the fashion designs. These will be exhibited on Thursday eve. The designers are Anna Wegelin, Burkhardt/Möllmann, C.Neeon, Esther Perbandt, JULIAANDBEN, Parsival Cserer, Paula Immich, Phoebe Heess,Proportion, Reality Studio and Von Bardonitz. Up from today until Friday the 22nd of April the eggs will be auctioned off on the iheartberlin blog. During the vernissage on Thursday you will also be able to enter your bids. And now comes the best part of it: All the income will be donated to children's charity and Japan disaster relief organizations. All further informations below.
April 16, 2011
BERLIN: ECKHART HAHN LOVES COLOURS AND BIN LINERS
By
Anna-Lena Werner
I am not really sure what to think about this exhibit:. Eckart Hahn (* 1971, Freiburg) created several colourful, large-scale, bright and extremely figurative paintings for his current solo-show 'Mythos incorporated' at Galerie Wagner und Partner in Berlin Friedrichshain. The established gallery usually has a very trustworthy program, as well as their location with the massive windows invites to feel comfortable in the space. In order to give you an impression, I picked my three favourites above and some others below in this post. And exactly that seems to be the thing about Hahn: The bin liners in renaissance sets - fine. Little details, such as the splash of white colour, or other manipulated 'mistakes.' The man with the blue face eating his distorted self - ok, we have been there, but it's a good image. But I seriously had to cringe, when looking at the bogle-painting, the Leda image or the card house (all below). One has to grant him for his courage, as in times like these a surrealist painter, who chooses not to paint all too sellable, won't have it too easy. Anyway, who am I to judge when I haven't even seen the images live? ( London STILL keeps me very busy) If you are interested in seeing them, visit the artist's talk next Tuesday, where Hahn will be interviewed by Dr. Marc Wellmann.
NEVER FORGET: THE AMBASSADORS
By
Anna-Lena Werner

Hans Holbein (the younger), 'The Ambassadors,' 1533, at the National Gallery in London
April 14, 2011
LONDON: MODEL VS REALITY AT FOLD GALLERY
By
Anna-Lena Werner
Tomorrow, Thursday the 14th of April from 6-9 there will be another private view for a group show in the east of London: Fold Gallery shows 6 artists fighting for MODEL VS REALITY. Conceptually, the artists works are supposed to reach their material limit, maybe fail, maybe interact, or transform into something else. From a model into a reality. Recontextualization. Reality, as the gallery states, is supposed "to inflect and absorb into the work."I must admit that what made me write about the opening tomorrow is that fact that I am very fond of that black/white photograph "Hanging Phallus" by Linda Aloyisus of the broken concrete pile. Not that I am a feminist, but I guess you see what I am getting at. I am actually not sure if the artpiece "Lethal Weapon"with that yellow...stuff (?) is actually part of the exhibit, but the artist Ana Prada definitely is. The gallery is a really nice space - right next to London Fields in Hackney - and a good starting point for either more art, or drinks on Columbia Road, or both. More photos, a map and all informations after the jump:
April 12, 2011
COLOGNE: ART COLOGNE STARTS TODAY
By
Anna-Lena Werner
For the 45. time, Art Cologne opens its doors for galleries, visitors and artlovers- and collectors. Daniel Hug invited 190 galleries for 2011 - established ones, emerging ones, new contemporaries - all representing art from the 20th and 21th century. Apart from the big fair on the 'Schälsick' (a cologne-slang expression for the 'wrong' side of the river Rhine, where art cologne takes place) there are lots of things to do:
Museum Ludwig, for instance, opens a retrospective show with works of american painter Vija Celmins called "Wüste, Meer und Sterne" (Desert, Sea and Stars) on Friday eve. Most cologne-based galleries as well open their gates for private views and parties, especially on Wednesday the 13th in the evening with late (around 10pm) closure times. Monopol Magazine invites for talks and symposiums. If you can read german, get an overview following the Kunstmagazin-Blog, or looking at the Köln Galerien Website for openings and exhibitions, look at artinfo24 for images, or Art Cologne directly (they are also writing in english language). Puh! Lots of links - lot's of things to see! Don't miss it, if you are nearby!
Museum Ludwig, for instance, opens a retrospective show with works of american painter Vija Celmins called "Wüste, Meer und Sterne" (Desert, Sea and Stars) on Friday eve. Most cologne-based galleries as well open their gates for private views and parties, especially on Wednesday the 13th in the evening with late (around 10pm) closure times. Monopol Magazine invites for talks and symposiums. If you can read german, get an overview following the Kunstmagazin-Blog, or looking at the Köln Galerien Website for openings and exhibitions, look at artinfo24 for images, or Art Cologne directly (they are also writing in english language). Puh! Lots of links - lot's of things to see! Don't miss it, if you are nearby!
April 11, 2011
LONDON: RIP IT UP, MASH IT UP, STICK IT UP! - CONTEMPORARY COLLAGE
By
Anna-Lena Werner

April 10, 2011
WATCHLIST: DANIEL RAPLEY
By
Anna-Lena Werner
See also: danielrapley.co.uk
A BIT(E) OF FASHION, PLEASE
By
Anna-Lena Werner


April 8, 2011
COLOGNE: BENJAMIN TILLIG, TIMOTHY SHEARER AND MORE ARTISTS EXHIBIT AT BOUTIQUE / BAR UNTIL 17.04
By
Anna-Lena Werner
From today until the 17th of April the 'Boutique / Bar' at Ebertplatz invites every evening up from 6pm for art, music and drinks. The two cologne-based artists Benjamin Tillig und Timothy Shearer, as well as other artists, curators and DJs will present different works throughout the period - always in relation to the rather ugly Ebertplatz and its connotation with the rapidly build 60s-80s post-war Cologne architecture. Boutique also suggests itself as a spatiality for young, emerging art, as well as for its scene, its communication and as a place that allows a relaxed encounter - a living-room, so to speak. Boutique will also offer a wide range of danceable musical treats, so that the living-room can be turned into a club. All in all, it sounds like a really nice and ambitious project, which is by the way organized and initiated by DREI. RAUM FÜR KUNST - a gallery that has an increasing influence on shaping Cologne's art scene. All information below.
April 5, 2011
LONDON: EVERYTHING YOU EVER LIKED ABOUT YOUR MOTHER
By
Anna-Lena Werner
This Thursday, on the 7th of April up from 7pm there will be an opening by a group of mainly German young artists at the art space '15 Howie Street'. One of the exhibiting artists is painter David Ostrowski, who gave me an interview last December. I don't know exactly what to expect, but if you don't have any plans yet pop by and find out what they ever liked about their mothers.
COLOGNE: GO SEE JOHANNES WOHNSEIFER'S OPENING AT SIMULTANHALLE
By
Anna-Lena Werner
Johannes Wohnseifer (*1967, Cologne) is a pop-artist - someone who never stopped doing what most artist gave up around the 80s and 90s - he criticizes our society with a surface of imitation, with a withdrawal of his own person and opinion, and with a humorous observation. As a close friend and assistant of Germany's favorite rebel-artist Martin Kippenberger (1953-1997), Wohnsiefert established his own career quite well in the art market. Represented by concept-art Galerie Johann König in Berlin, his art is travelling around the world - from one fair to the next - and now he opens the new season at Simulthalle outside Cologne (Chorweiler) with an exhibition that promises to be site specific and similarly the big opening for their 25-year anniversary. This exhibition is also worth a trip to see the architecture of that amazing building - and - because it is one of the very few non-commercial art spaces that is still sponsored by the state. See below a map, information and more images.
April 4, 2011
A LITTLE PAUL MCCARTHY TREAT FOR MONDAY EVE!
By
Anna-Lena Werner


Those of you who know me well are already aware that I have a thing for Paul McCarthy and his uncanny and visceral art. Yes - I admit it! The video by Vernissage.tv shows some images from his most recent show in L.A. "Three Sculptures."
April 2, 2011
LONDON: IDA APPLEBROOG HAS A THING FOR THE UNCANNY
By
Anna-Lena Werner
American artist Ida Appelbroog (*1929) shows a quite convincing retrospective covering 4 series of works from the last 50 years at Hauser&Wirth in London. As you will see in the exhibition views below, it's not only the paintings fragmentation on several different-sized canvases that makes this show unique, but also the curation: Lying on the floor, standing in the middle of the gallery's main space, each painting seems to have dialogue with one another. The gallery's press release highlights the audience's part and claims that Applebroog's fragmented paintings "effectively question the viewer’s active involvement in her works." When passing "Marginalia" (the painting-installation) and entering the back room, one stands face-to-face with 'Monalisa' - a wooden installation piece, covered with 'Vagina drawings,' hiding the 'Monalisa'-doll-drawing. It's like a giant version of Duchamp's ‘Étant Donnés,’ a cubic, inaccessible house with wholes that turns the viewer into a voyeur. Her newest piece - 'Caleb' - assembles several versions of the same mutant-like face. All in all, the show's coherence seems to be an uncanny aspect: Something is frightening, weird, a little perverted - some images clearly broach issues of violence, abuse or psychosis - others seem to be mad - and some are simply sexual. Absolutely worth seeing! (And the Dieter Roth exhibit is just next door) Click on the images or the headline to see all infos, more images and a short documentary on Applebroog.
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