"22 sausages to stare at, praise and worship" (2015) © Sebastian Neeb
A few weeks ago "Praise and Trophy“ opened at Berlin art space Dzialdov. The show dealt with the question of how a certain symbolism can be held accountable for moments of sublimity, majesty and superiority. It asked how much these sentiments are rather a matter of traditions and emotions than of an actual expression of reality. Three different positions, Lars Bjerre, Max Dickhaus and Sebastian Neeb were invited to participate; I sat down with one of them.
With a diverse body of work, Berlin-based artist Sebastian Neeb (b. 1980) surveys how certain media can be used to guide, influence and control individuals as well as the mass and how closely real and fake values are linked together. In his idea, the awarding of trophies and titles is rather a matter of manipulation, a loose promise of a value that only exists in people’s head without having an actual materialistic counter-value. Following this concept, a new kind of character head is courting for leadership within his series "New Leader", while "Trophies for Outstanding Performance Over Decades" awards rather nonsensical achievements like the finding of an already emptied jug of wisdom.